Solaris (1972)

‘See, I love you. But love is a feeling we can experience but never explain. One can explain the concept. You love that which you can lose: Yourself, a woman, a homeland. Until today, love was simply unattainable to mankind, to the earth. Maybe we are here to experience people as a reason for love.’ Kris Kelvin

Yep, this is Solaris. Now I could do a pretentious review of this, and believe me there are quite a few of those out there, but I know you can spot them, (giving you some credit here) so I am going to keep it simple.

Solaris centres on widowed Kris Kelvin, a psychologist sent to a space station to investigate what has happened to his friend Dr Gibarian and two scientists onboard. The space station is orbiting Solaris an ocean like planet that seems to be emitting strange signals.

Kris arrives to find that things have deteriorated onboard, the station is in disarray with parts of the station broken. He learns Dr Gibarian has died, due to an apparent suicide,  the two scientists Snaut and Sartorious are alive but not in a healthy place. Snaut warns Kris to be careful about what he does on board, he also gives him a good tip of sticking paper strips to the air conditioner as the ruffles sound like leaves moving in the wind, which can help with sleeping (nice).

On his first night Kris’s late wife Hari appears to him, he is shocked to see her or this life form appearing as her, and finds a way to get rid of her by putting her in a rocket (as you do). However the next night she reappears. It is from here Kris starts a process of self-discovery on life and love.

Solaris is a fascinating film, one that needs to be seen more than once, bear in mind it is 3 hours long but it touches on so many themes that it is worth the effort. It has a trance like allure and the music is hypnotic, I felt absorbed and numb at the same time.

Some of themes it touches on are whether humans are in love with a person or their perception or memory of the person, how much do they actually love the real person. Are humans devoid of actual love? Do they love themselves more than anyone else – are they narcissist? Do they make decisions for their own gain? Hari ends up making a decision that takes her above her newly acquired human emotions, but does this also mean that alien forms are more advanced than humans? Is there intelligent life out there? Also are life events meant to happen and you cannot escape fate?

Life and death are explored and the exchange between Kris and Snaut is well, I’ll leave for you here;

Snaut: When a man is happy…the meaning of life and other eternal themes rarely interest him. One should take them up at the end of ones life.

Kris: But we don’t know when that end will be, so we hurry

Snaut: Well don’t hurry. The happiest people are those who have never bothered themselves with these damn questions.

Kris: A question is always a desire for knowledge…but we need secrets to preserve simple human truths. The secrets of happiness, death, love.

Snaut: Maybe you’re right. But try not to think about all that.

Kris: To think about it is to know the day of your death. Not knowing it practically makes us immortal.

Tarkosky (Director) shows nature as having a calming effect on Kris, whilst the space station as stoic and dangerous – that is until Hari arrives – which I noticed on second viewing. This contrast and juxtaposition is very well done and shows the directors subtlety in letting the viewer pick it up, if you were to further analyse it does sort of sounds like Adam and Eve, but anyway.

The cast are very good, in particular Natalya Bondarchuk as Hari, when she appears the film really takes off. The ending also gets you, not going to spoil it.

Tarkosky gave us Solaris, and it is a very good film, one he is most known for. I highly recommend checking this out, it definitely is a bucket list film and you can tell why.

Rating 5/5

Capernaum (2018)

‘I want adults to listen to me’ this is said by Zain, a 12 year old boy, as he stands in court, he has committed a crime and is serving his sentence but has decided to sue his parents for bringing him into this world.

Nadine Labaki’s film is a harrowing and powerful depiction of a childhood lost. It is set in Lebanon and follows Zain and his day to day life as a errand boy for a local shop owner. He works all day taking whatever food is given to him at the end of the day to his family to eat. There is a scene where he looks on in desperation at the school bus and the children getting off it.

For a few hours he gets to hangout with his siblings in particular sister Sahar. Zain is protective of her, and they spend time playing drums and selling fruit juices to people. However as Sahar grows older her parents make a decision that turns Zain’s world into chaos.

Zain runs away and ends up at a fairground, there he meets Rahil an Ethiopian migrant who helps him with some food, but Rahil has a problems of her own and lives in fear of being found out that her work permit has expired and is hiding her baby from her employer. Zain ends up staying with her and ends up being a babysitter to Yonas (Rahils baby).

The relationship between Zain and Yonas is touching and beautiful. To note these are real people who are acting for the first time, so it is remarkable the performances on display here.

Zain accepts his role but things take another turn as Rahil does not come from work one day. This sets Zain on another course of action as he is now solely responsible for Yonas and has to feed, change and look after him. He tries his best but eventually he has to make a tough decision.

This is a good film, there is documentary style to it, but it is done very well that you feel immersed in everything that is happening on the screen, I was glued from start to finish. Comparisons to City of God and The Florida Project come to mind, but this stands on its own (for a start this has a better ending than The Florida Project), the film does not force a message to the viewer, the less that is said onscreen the more I got from it.

Are people not human and don’t matter because they do not have a ID card or number, does a piece of paper define our outcomes and opportunities? Are some people destined to be stuck in a social cycle inherited from their parents? Hmmm, to be discussed.

The central performance from Zain Al Rafeea is superb, he is completely mesmerising, you want to know what happens to him. The supporting cast is equally superb, the music is well done and adds weight to the film.

I would thoroughly recommend watching this, it rightly secured the Jury Prize at Cannes, should have won the Oscar, but, it’s not always about the awards for filmmakers (for most, I think) its about telling a story, and this story is definitely worth telling.

Rating 4/5

Joker (2019)

Is it just me, or is it getting crazier out there?
Arthur Fleck

That definitely feels true. Joker is set in the early 80s and is loosely based on the origin of the Joker (DC Comic character and arch rival of Batman). This version is written and directed by Todd Phillips (the director of The Hangover films…yep) and stars Joaquin Phoenix in the title role.

Almost everyone has their opinion of the film and how they feel about it, so take what you can from them, but, this is what I thought of it.

The Joker is a gritty hard hitting study of a man’s decline into madness. Arthur Fleck is a lonely troubled man, who between caring for his ill mother and performing for kids as a clown, dreams of being a stand up comedian – his only problem, he isn’t very funny.

This sounds familiar and fans of Robert De Niro and Martin Scorsese will recall King of Comedy (1982) and the painful Rupert Pupkin having the same dilemma (incidentally De Niro plays the chat show host Murray Franklin whom Arthur adores). Unfortunately Arthur or ‘happy’ as his mother calls him is living in a world that just doesn’t understand him, again sound familiar? Travis Bickle from Taxi Driver (1976). Clearly these two films have influenced Phillips and he borrows seamlessly from them, but this is not in the same calibre as these, it stands alone.

The central performance from Joaquin Phoenix delivers the punchlines (sorry). His lean skeleton holds the meat of the film (sorry again). He is mesmerising, he portrays sadness, depression, anger, loneliness and happiness brilliantly. It’s a masterclass on acting, he lives and breathes the character.

The supporting cast is good, Robert De Niro, Zazie Beetz and Frances Conroy to name, watch out for Glenn Fleshler (Remus from Boardwalk Empire) and Brian Tyree Henry (Paper Boi from Atlanta).

The music is standout, Icelandic Hildur Gudnadottir sets the right tone and style to the film (to be noted she did the music for this and Chernobyl at around the same time). There has been some subject of debate for one music choice and I don’t why that particular piece of music was used when others could have been selected, perhaps Phillips was wanting the reaction? (jerk). The cinematography is good and adds grittiness to the screen, the makeup is good too, I like how Phoenix has adopted a different clown paint – slightly reminiscent of Doink the Clown from WWE though).

The film is rated R so be prepared to see violence, however there are probably less deaths in here than in most of the Marvel films, yep, and when it happens you can feel the magnitude of it.

I would still recommend seeing this (unless you have coulrophobia) and making your own mind up on how you feel about it, one thing is for certain you will be talking about it for some time, which is what Phillips probably wanted – ‘send in the clowns…they are already here’.

Rating 3.5/5

Do Androids Dream of Electric Sheep?

Philip K. Dick’s Do Androids Dream of Electric Sheep? was published in 1968 Ridley Scott made ground breaking Blade Runner (1982) (one of my favourite films) from it which went on to inspire a host of filmmakers and created a cult following. But the film was an interpretation of the book and having read it I found the experience rewarding.

The book focuses on Rick Deckard a bounty hunter, who has the task of retiring andys (androids) because they are considered dangerous to society. The androids the Nexus-6 a more advanced android have the ability to assimilate themselves into society. Deckard accepts the job and the money associated with it as he dreams of owning an animal that he can show off to his neighbours, he has a sheep but it is electric, a fact he has failed to inform his neighbours of, due to the embarrassment. Deckard is obsessed with owing a real animal as real animals are hard to come by since World War Terminus.

In order to tell androids apart from humans, Deckard administers the Voigt-Kampff test, a test that focuses on empathy, the conclusion of which is that androids lack empathy. The test is usually effective, but an android Rachel Rosen nearly beats it. This leads Deckard to question his actions and whether what he is doing is right.

I would recommend both the book and film, but each as individual standalone works, as Scott’s Blade Runner does reimagine the book in its own way – though the heart is still there. The heart being what does it mean to be human? What does it mean to have an identity? How do we all interact with each other?

These are interesting questions particularly in current times, are we humans becoming less empathetic? If so why? Is it because of circumstances or inherited design? The scapegoating of a group sounds familiar.

Is our identity defined by who we are or is it by what we do? Does it matter to have an identity? Do we need to make something great again when it didn’t stop being great?
The androids believe in their implanted memories more than humans in their real memories, this might be because we remember things differently each time.

Has the growth of social media led us to function more like robots and less like humans? Are we being programmed or controlled by machines rather than the other way round? Deckard gradually falls for Rachel, but is she trustable as she is an android?

What does it actually mean to be human?
The character of Mercer tells Deckard;
‘You will be required to do wrong no matter where you go. It is the basic condition of life, to be required to violate your own identity. At some time, every creature which lives must do so. It is the ultimate shadow, the defeat of creation; this is the curse at work, the curse that feeds on all life. Everywhere in the universe’

But Deckard is a bounty hunter, so perhaps we shouldn’t listen to Mercer wholeheartedly, however, it raises an interesting point, what if it the ends justify the means? Hmmm, think I’d rather stick with being empathetic so I can sleep better at night.

Rating 5/5 for book and film

A Quiet Place (2018)

It’s oh so quiet, Shh shh, being quiet is what you need to be to thoroughly enjoy this film, it stars real-life couple Emily Blunt and John Krasinski (who also directs) as the Abbotts who are doing their best to protect their children from alien like creatures who hunt based entirely on noise. The family seem to be doing well and understanding sign language (their eldest daughter is deaf) has helped them, how long can they remain safe is the question.

If you leave some of your logic behind, then you will enjoy this film, it is a good horror film. Logic? Well there are bits which you will question and find strange, hence the leaving it behind. The good thing is the film makes you sit up and pay attention, the lack of sound and dialogue draws you into the claustrophobic and paranoid world the Abbotts are living in. There is no human contact with others, everything has to be considered, no microwave, no music, down to even the toys the children can play with, but, they do manage to conceive a child as Blunts character is pregnant (leave the logic behind). So, this is difficult time for the family to pull and stay together, but it is not easy and mistakes can happen.

I really liked the atmospheric sound and music that was used (incidentally the sound editing was rightly nominated for an Oscar). It creates a tense edge of the seat feeling – exactly what is required of a good horror. I first noticed Emily Blunt in The Adjustment Bureau (2011) and have followed her roles since, particularly Looper (2012), Edge of Tomorrow (2014) and Sicario (2015), she is brilliant in this, she is supported well by Krasinski and child actors Millicent Simmonds, Noah Jupe and Cade Woodward.

An interesting fact, abbots in Catholicism usually live in monasteries, living self-sufficient lives, sometimes in silence. I was fully engrossed with this film from start to finish, I would recommend it purely for the experience, sometimes silence is golden.

Rating 3.5/5

First Reformed (2017)

‘Courage is the solution to despair, reason provides no answers. I can’t know what the future will bring; we have to choose despite uncertainty. Wisdom is holding two contradictory truths in our mind, simultaneously, Hope and Despair. A life without despair is a life without hope. Holding these two ideas in our head is life itself’

Yep, that makes you ponder and pondering is what First Reformed does. The film centres on 46 year-old Reverend Ernst Toller, who is the pastor of First Reformed Church, a small church with a small congregation which is seen as a tourist spot more than a church. Ernst has just started a journal, specifically a handwritten one, in which he tries to write down his thoughts into everyday. He also has a simple mobile phone, one with no social media apps or Internet – just a simple messages and call phone – like a phone used to be, he sleeps in a modest room with modest furnishings.

Ernst has had some sadness in his life, he lost his son Joseph to an unjust war, subsequently his marriage soon feel apart. He now preaches, but he is on a downward spiral, he drinks heavily and is passing blood. He meets Mary, a young woman who is concerned about her husband Michael an environmentalist who has recently home after a stint in prison for his activities. Mary is pregnant but Michael is concerned about bringing a baby into the world which he believes is doomed.

Ernst tries his best to council Michael, but, he stumbles as he is at a crisis himself about his beliefs and thoughts. The more Ernst learns about Michael and his belief about the world the more he spirals. Even with all the people around him, Ernst is still lonely, he in fact embraces it as some sort of badge of honour,

‘Some are called for their gregariousness, some are called for their suffering. Others are called for their loneliness’

But deep down, he knows he needs emotion but where will he find?
‘The desire to pray itself is a type of prayer. How often we ask for genuine experience when all we really want is emotion’

It is no surprise First Reformed screenplay has been nominated for an Oscar, it is excellent. Similarities have been made to Taxi Driver (also written by Paul Schrader) and to some extent it is rightly so, I would also say there are elements of David Lynch with its dark tones, the cinematography is also quite soft and reserved and the film is shot on a 1:37:1 aspect which is an old style of filming allowing for more focus.

Ethan Hawke is very good, he delivers a restraint and emotional performance as Ernst, (not sure why he didn’t get an Oscar Nod for it). He supported by Amanda Seyfried and Cedric Kyles. I have not mentioned the ending, as, it is interesting one, I will leave it up to you to decide, I just hope you don’t despair.

Rating 4/5

Isle of Dogs (2018)

What ever happened?
To man’s best friend
Falling – Spring – Blossom

The above haiku is read by 12 year old Atari (the adopted son of Mayor Kobayashi) to the people of Megasaki in an attempt to save all dogs from being killed.

This is the second animated film by Wes Anderson (the first being Fantastic Mr. Fox) and it is just as exquisite and delightful as the first. The film starts with a brief background of the plight of dogs from being free and independent to being hunted, tamed and eventually domesticated. We are then hit with thudding drumming and credits appearing – the music by Alexandre Desplat in this is excellent by the way.

We are then thrown straight into the near future in Japan where a dog flu outbreak has occurred with the risk of it spreading to humans. To save humans the Mayor Kenji Kobayashi signs a decree to banish all dogs to ‘Trash Island’ a place where all the city’s rubbish is sent, Atari’s dog Spots, a white and black speckled pink nosed dog, is the first to go and is sent in his cage across in a cable cart, soon more and more dogs are sent across.

Six months later, we are then shown a pack of dogs who march over to a fallen rubbish bag, the pack is lead by Chief a stray dog (voiced by Bryan Cranston) who has never had a master, and includes Rex (Edward Norton), King (Bob Balaban), Duke (Jeff Goldblum) and Boss (Bill Murray). The dogs are met with another group and battle ensues over the pile of rubbish. This scene sets the tone that this is a Wes Anderson film, it is funny, dry and quirky. Chiefs group wins. As the group is enjoying the ‘taste of victory’ (soz) they spot a plane crash land on the island. They investigate, it is Atari, he has come to find Spots.

The dogs are happy to see a human or a master, all except for Chief who is sceptical, ‘I’m a stray’ he says, ‘we are alpha dogs’ and do not need humans. But the dogs rally round Atari and help him. Soon the Mayor finds out that Atari is alive and sends forces in to retrieve him. But Atari does not want to leave and the dogs help him once more and save him. Then begins a journey with to find Spots.

All the while a enthused group of students lead by foreign exchange student Tracey are finding the truth about the Kobayashi regime. There is an amazing scene featuring sushi being prepared which leaves you quite enthralled. In the end do we care if Atari finds Spots? The answer is yes we do.

This a good film, it is split into parts, the stop motion style animation is amazing, the way the dogs hairs move is pretty cool, and the plasticine humans are good too. But it is not the great film it could be have been, I like the way it can interpreted into different meanings, for example, the plight of the dogs can be seen as the way immigrants are treated – used as a scapegoat and fear mongering, there is also the way a regime controls propaganda and news. But the story doesn’t touch into this too much, and it sort of becomes a film that starts a conversation but leaves before engaging. I feel Anderson has aimed at the younger audience whereas his previous effort was more of a older one, which gives us a mixed bag.

The heart of the story is about the relationship between a boy and his dog and the lengths both will go to look after each other – something we can all appreciate and do more of.

Rating 3.5/5