What ever happened?
To man’s best friend
Falling – Spring – Blossom
The above haiku is read by 12 year old Atari (the adopted son of Mayor Kobayashi) to the people of Megasaki in an attempt to save all dogs from being killed.
This is the second animated film by Wes Anderson (the first being Fantastic Mr. Fox) and it is just as exquisite and delightful as the first. The film starts with a brief background of the plight of dogs from being free and independent to being hunted, tamed and eventually domesticated. We are then hit with thudding drumming and credits appearing – the music by Alexandre Desplat in this is excellent by the way.
We are then thrown straight into the near future in Japan where a dog flu outbreak has occurred with the risk of it spreading to humans. To save humans the Mayor Kenji Kobayashi signs a decree to banish all dogs to ‘Trash Island’ a place where all the city’s rubbish is sent, Atari’s dog Spots, a white and black speckled pink nosed dog, is the first to go and is sent in his cage across in a cable cart, soon more and more dogs are sent across.
Six months later, we are then shown a pack of dogs who march over to a fallen rubbish bag, the pack is lead by Chief a stray dog (voiced by Bryan Cranston) who has never had a master, and includes Rex (Edward Norton), King (Bob Balaban), Duke (Jeff Goldblum) and Boss (Bill Murray). The dogs are met with another group and battle ensues over the pile of rubbish. This scene sets the tone that this is a Wes Anderson film, it is funny, dry and quirky. Chiefs group wins. As the group is enjoying the ‘taste of victory’ (soz) they spot a plane crash land on the island. They investigate, it is Atari, he has come to find Spots.
The dogs are happy to see a human or a master, all except for Chief who is sceptical, ‘I’m a stray’ he says, ‘we are alpha dogs’ and do not need humans. But the dogs rally round Atari and help him. Soon the Mayor finds out that Atari is alive and sends forces in to retrieve him. But Atari does not want to leave and the dogs help him once more and save him. Then begins a journey with to find Spots.
All the while a enthused group of students lead by foreign exchange student Tracey are finding the truth about the Kobayashi regime. There is an amazing scene featuring sushi being prepared which leaves you quite enthralled. In the end do we care if Atari finds Spots? The answer is yes we do.
This a good film, it is split into parts, the stop motion style animation is amazing, the way the dogs hairs move is pretty cool, and the plasticine humans are good too. But it is not the great film it could be have been, I like the way it can interpreted into different meanings, for example, the plight of the dogs can be seen as the way immigrants are treated – used as a scapegoat and fear mongering, there is also the way a regime controls propaganda and news. But the story doesn’t touch into this too much, and it sort of becomes a film that starts a conversation but leaves before engaging. I feel Anderson has aimed at the younger audience whereas his previous effort was more of a older one, which gives us a mixed bag.
The heart of the story is about the relationship between a boy and his dog and the lengths both will go to look after each other – something we can all appreciate and do more of.